Am I keeping this lens in my bag? The Sigma 105mm f1.4 Art is a bright mid-length telephoto lens corrected for full-frame sensors and available in Canon, Nikon and Sigma DSLR mounts, as well as in a native Sony E mount for Alpha mirrorless cameras. I’ve used multiple Sigma lenses on multiple camera platforms, dating way back to when I shot on Canon. Instead, I’ve taken to placing it in my HoldFast Sightseer Backpack. The Sigma 135mm is the only lens in this comparison which has a limiter switch (full / 1.5m – infinity / 0.875 – 1.5m  configurable with the USB-dock). It simply doesn’t fit in my ThinkTank Airport Navigator unless I completely rearrange my compartments. Same with the competition. Coming in at 3.6 lbs the lens matches the weight of my Canon 5D Mark IVpaired with a Sigma Art 50mm. It delivers beautiful-looking images with the best Bokeh I’ve seen so far. The hilarity of the reactions from wedding guests has varied. 10.0/10 average of 1 review(s) Build Quality 10.0/10 Image Quality 9.0/10. Sigma 105mm f/1.4 DG HSM Art review This new ‘bokeh master’ lens from Sigma aims for portrait perfection, putting competitors in the shade By Matthew Richards 04 October 2018. Sony also offers the older SAL 135mm f1.8 ZA Carl Zeiss Sonnar T* from 2006 for A-Mount or via an adapter for E-Mount. I found my groove with using the length again. Optical Stabilisation is also available to combat camera shake. Sigma 105mm F1.4 DG HSM is an Auto Focus (AF) Telephoto Prime lens with 35mm FF max sensor coverage and it is designed to be used with Canon EF mount cameras. In addition to managing conversations, you’ll have to manage the weight of the lens! The Sigma 105mm F1.4 DG HSM is a very fast, short telephoto prime lens for full-frame DSLR cameras and mirrorless cameras. I love the signature Sigma ART lens design which looks modern, classy and it feels very well made and super solid. There was also a silicone band that swaps out with the Arca-Swiss tripod collar. But that is true for the Sigma 105mm f1.4 Art too when you use it on a Sony mirrorless body. Following the tradition, this is a huge and heavy lens. It has autofocus but relies on the body to provide the AF-drive. B&H Photo Adorama … The focus ring offers a good grip with a 33mm broad rubber surface but its movement is a bit too stiff to be comfortably operated with a single finger. Bright f/1.4 aperture. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. Over the past year, I’ve given in to using the 85mm as my go-to “long” lens, and if I really needed reach, I would use the Sony 70-200mm f/2.8 – something I own, though I much prefer prime lenses. Here’s where things get wild. It offers a useful wideangle to moderate telephoto zoom range, and includes a Hypersonic Motor for fast, silent focus. I couldn’t get enough of them, so much so that when I switched to Nikon, I opted for both the Sigma 35mm and 50mm ART lenses over the Nikon variations. 105mm = 3540mm : Review: Sigma 105mm f/1.4 DG HSM Art Lens : Buy Rent My Recommended Sigma 105mm f/1.4 DG HSM Art Lens Retailers Where you buy your gear matters. That’s something I’m stubborn about, as I have a system that works for everything but this one lens. I wouldn’t even attempt to use this during a processional unless the aisle was a respectable distance, simply because I’d find myself with those walking down the aisle too close to me to focus. Nikon’s 105mm f/1.4 is just over 2 pounds, and Sony’s new 135mm f/1.8 is an ounce lighter than that. The Canon version of the lens is also compatible with the lens aberration corrections available in recent bodies to compensate for vignetting, chromatic aberrations and distortion. Matching its hefty price point is its hefty weight. Back when I shot on Canon, the Canon 135mm f/2 was a staple in my bag. Sigma even included a rubber ring to cover the tripod mounting screws on the lens should you prefer to leave the tripod mount detached. Besides, for me, the shallower the depth of field, the better. It’s a focal length I’ve missed in my lineup, and it’s exciting to see it back in the arsenal. While using it in brief spurts won’t be too annoying, having it hit my side as I walked with it on my Holdfast MoneyMaker reminded me why I switched from DSLR cameras. Sigma boasts that the 105mm delivers 'unsurpassed F1.4 performance' and 'exceptional peripheral brightness.' It turns the same way as Canon lenses but that is the wrong way for Nikon users. With the lens being weather-sealed, I didn’t fear taking it to Iceland with me, but its sheer size deterred me from hauling it in my backpack on the long hikes. This all comes at a price: 1400 USD / 1500 EUR is not exactly cheap but roughly in line with other high performance large aperture mid-length telephoto lenses – and again it’s also more affordable than Nikon’s own 105mm f1.4 lens, so one of the big questions I’ll be answering in my review is how these two models compare. I was curious to see how it felt to wield such a lens again, and whether it would be worth the heft. After the initial shock of the size wore off, I took a look at the accessories Sigma provided with the 105. The aperture is actuated electromagnetically in the Nikon-version too which makes it the equivalent of a modern E-type Nikon lens and puts away with the mechanical coupling that Nikon uses on all older lenses. The images are RAW files developed in Lightroom 7.4/CRAW 10.4 to Adobe Color profile, no lens profiles, CA-removal=ON, Noise Reduction=OFF, sharpening=50/0.5/36/10. [0], Sealing: yes, a rubber grommet at the lens-mount plus further special weather-sealing throughout the construction. With the Sigma 105mm f2.8 DG DN Macro Art there is finally a modern alternative to Sony’s FE 90mm f2.8 G OSS Macro and it’s the first autofocus macro lens for L-mount with a focal length beyond 70mm. Sigma 105mm on Sony A7RIII | Sony A9 & Sony FE 35mm f/1.4 ZA | 1/160 f/2.8 ISO 640. If you’re willing to deal with the heft, it’s a great bang-for-your-buck lens. With an f1.4 focal ratio the new 105mm f1.4 Art joins the Nikon 105mm f1.4E as the brightest lenses at this focal length, although crucially the Sigma comes in at a lower price and with the benefit of availability in more than just a Nikon mount. When I switched to Nikon, I fell in love with the Nikon 105mm f/1.4 when it was released, and its slightly shorter focal length proved to be far more utilitarian for my style of photography. Full review Sigma’s 24-105mm f/4 DG OS HSM Art lens is a premium lens designed for full frame cameras’, although it can also be used on cameras with APS-C sensors. This is a complex design for a prime lens and contains 5 special dispersion elements and one aspherical lens element which could produce onion rings in out-of-focus specular highlights. I found myself reluctantly falling in love with it the more I used the lens. When I jumped into the Sony waters, I realized there were simply no comparable native Sony lenses with such a shallow depth of field. The new Sigma 105mm f1.4 Art wins this comparison as the sharpest lens right into the orners of the full-frame sensor followed closely by the Sigma 135mm at f1.8, the Zeiss 85mm f1.4 Otus and the Nikon 105mm f1.4E. As usual I’ll have a look at the technical data of the Sigma first. Sigma has definitely packed this monster full of great elements. If you’ve been considering adding this lens to your collection, you’ve likely got some questions, and we’re here to help with answers. That’s certainly not the case here, as Sigma says this, “ Like SIGMA’s Sports line lenses, the 105mm F1.4 DG HSM | Art features a highly effective dust- and splash-proof structure with special sealing at the mount connection (with exception of the Sigma mount), manual focus ring, cover connection, and … AF-operation is barely audible from the outside and if you record video with the built-in microphone there’s only a “tap” at the beginning and the end of focus-movement and the AF-drive is very quiet. Find out now by reading our in-depth Sigma 105mm F2.8 Macro review, complete with full-size sample photos. From left to right: Sigma 85mm f/1.4, 105mm f/1.4 and 135mm f/1.8 Art. The Nikon does 1:6.7 at 0.92m in manual focus and and achieves 1:10 at 1.26m while the Sigma 135mm goes to 0.84m where it offers a very nice magnification of 1:4.6 and achieves 1:10 magnification at 1.55m distance. The lens comes with a detachable tripod mount with an Arca-Swiss style interface. I also enjoyed being greeted with just the right amount of resistance on the manual focus ring. Yes, it is as massive as everyone says, and it weighs in at a whopping 3.6 lbs (1.63 kgs), just over half the weight of Nikon’s heralded 200mm f/2. A lens design for a 105mm f/1.4 lens with 17 lens elements, incorporating 2 elements of FLD glass and 2 of SLD glass, in 12 groups. These are unique feature that no other manufacturer offers. Overall, the packaging was nice, the carrying case is impressive, and I felt I was about to use a quality product. As with the rest of the Art lenses introduced to date, the 105mm f/1.4 Art Lens features Sigma's HSM (Hypersonic Motor) driving AF. Sony A9 & Sigma 105mm f/1.4 Art | 1/125 f/1.4 ISO 100 | Edited with DVLOP Presets. And as you would expect it is compatible with Sigma’s USB-dock to fine-tune various characteristics of AF, plus if you change bodies, you can pay to have the mount swapped for your new system. I’ve rated the features with a [+] (or [++]), when it’s better than average or even state of the art, a [0] if it’s standard or just average, and [-] if there’s a disadvantage. Image Quality: All three lenses are super sharp with minimum vignetting and negligible chromatic aberration.If I had a gun to my head … Tests indicate that it’s a very good performer albeit with some serious longitudinal CAs. I adapted my gorgeous Nikon 105mm f/1.4 to my Sony cameras for a year and a half as I waited not-so-patiently for a native lens of that length to manifest for the Sony Alpha lineup. That’s the lens I thought of as I connected the 105 to my suddenly extremely small Sony A9. You expect to get what you ordered, and you want to pay a low price for it. One of my favorite lenses has always been a mid-length telephoto prime. Sigma 24-105mm f/4 DG OS HSM Art User Reviews. Lenstip and DxO have rated it the sharpest 85mm lens ever created, beating out even the legendary 85mm F1.4 Zeiss Otus, which isn't something that we take lightly. [0], Auto focus: HSM (Hyper Sonic Motor), so it also works on camera bodies which don’t have an AF-drive built in like Nikon’s D3x00/5×00. The Nikon is 95 x 106mm with the lens hood adding another 47mm (111mm diameter). There is really only one other 105mm f1.4 lens: If you go longer then there’s the option of Sigma’s own. Enter the Sigma 105mm f/1.4 DG HSM Art. [0], Filter-thread: 105mm which probably means that you will need an expensive new filter set. As an ‘Art’ lens, it’s designed to offer ‘sophisticated optical performance’ and meet the needs of creative photographers. This is a guest review of the Sigma 105mm f/1.4 DG HSM Art by wedding photographer Megan Allen. It is, of course, dust- and splash-resistant, and includes an Arca-Swiss tripod collar. The 24-105mm F4 DG OS HSM Art is a relatively wide-range standard zoom for full frame SLRs, and part of Sigma's line of high quality 'Art' lenses. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. That’s about par for the course on large aperture primes. Shares. In this review I will be covering the full frame E-mount Sigma FE 105mm f/1.4 Lens using the powerful Sony A7R IV. [+], Sigma’s service can change the mount of the lens between Nikon, Canon, Sony or Sigma (at a cost). Yes, I’d heard this was a big lens, but I hadn’t been fully prepared for just how BIG this thing would be. To be included into Sigma’s acclaimed Art series of top-notch lenses it should have very good optical performance and build quality. I quickly found myself battling extremely front- or back-focused images, no matter how much calibration I attempted. Oh, what a misstep that was. Check prices on the Sigma 105mm f1.4 Art at Amazon, Nikon Z TC-1.4x TC-2.0x teleconverter review. Our Verdict. The lens-caps are standard. May not be used without permission. The two big downsides are its weight and size and the need to use 105mm filters. [+], Covers full frame/FX or smaller = very good. Inside was a strap for the lens case (which was a genuinely beefy thing, padded extremely well) and a screw-type lens hood that could double as a small salad bowl (according to my brother). With a larger focus movement repeatability sank to 94,3% but still produced no real outliers. All of that being said, I was absolutely thrilled to take this beauty into the wild and give it a go. [++], Aperture ring: no, same as with the competition. Write your own review! Beautiful Bokeh Solid Build Quality Weather Resistant Ridiculously Sharp Perfect Length & Aperture for Portraits & Brenizer Methods, Lacks Image Stabilization Ridiculously Large Heavy for Extended Use Long Focus Distance. 19% VAT) / 1600 USD. The Sigma 135mm has a street price of around 1250 EUR / 1400 USD and the Nikon is around 2000 EUR / 2200 USD. Verdict The Sigma 105mm f1.4 Art is an excellent lens. With an f1.4 focal ratio the new 105mm f1.4 Art joins the Nikon 105mm f1.4E as the brightest lenses at this focal length, although crucially the Sigma comes in at a lower price and with the benefit of availability in more than just a Nikon mount. That made me reevaluate how I photographed a wedding day. [0], Comes with a nice padded lens case and a strap. Available since July 2018, it has no predecessor in Sigma’s lens catalog. Colors are a tad muted in comparison to Sony native glass, but extremely easy to push in post to taste. You can spend $600-800 more for native lenses if you’d like, but Sigma has made an incredibly compelling case for this lens. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Before we dive into the image quality, though, I do want to say that Sigma was smart to include an Arca-Swiss tripod collar with this behemoth. If you invest in this lens and intend to take it out in public, plan on having a new talking point to manage. No other f1.4 lens offers that except for the elusive Mitakon 135mm f1.4. Even more than that, attempting to find a way to fit it in my gear bags was tricky in itself. [+], Closest focus distance is 1.0m with a magnification of 1:8.3 although I was able to get down to 1:7.7 at 0.94m with manual focus. Sony A9 & Sigma 105mm f/1.4 Art | 1/1250 f/2.2 ISO 50 | Edited with DVLOP Presets. I found the tripod collar nice for simply managing the weight of the lens as I held it, as the base of it fit well in my hand. Razor sharp optics. Since switching to Sony, I was forced to give up the longer telephoto primes due to no native options being available that suited my personal tastes. The Sigma 105mm F2.8 DG DN MACRO Art is a brand new telephoto macro lens for the Sony E-mount and L-mount full-frame mirrorless camera systems. It is clear that the birth of the Sigma 105 mm f/1.4 Art has been an ambitious project. On the shorter side there is an abundance of 85mm f1.4 lenses of which perhaps the only stabilized lens in this group, the. [+], Price: around 1500 EUR (incl. The retailers I recommend below are the ones I trust for my purchases. It takes up a fair amount of room in there. No more front- or back-focused images. But the new Sigma allows you to alter focus fine-tuning at 4 distances with the USB-dock. Near the end of my time with this lens, it was like riding a bike. That's $600 less than the Nikon 105mm F1.4E. It is reversible for transport, and can be locked in place with a screw. Focus accuracy and repeatability is critical to consistently produce sharp shots. Repeatability (the accuracy of focus on the same subject after repeated focus-acquisition) of this lens is pretty good (measured 97.8% in Reikan FoCal) with no outliers over a series of 40 shots. Canon has proven that you can build f1.4 primes with image stabilization and not compromise image quality for it. The Sigma 105mm f/1.4 DG HSM ART is the latest additional to Sigma’s highly successful ART lens series. The Sigma 105mm f/1.4 DG HSM Art Lens goes for ~ … The score in the “features-department” is 2[-]/5[0]/9[+]. Megan Allen is an award winning wedding photographer based in Columbus, Ohio. The Sigma 105mm F1.4 DG HSM Art lens—colloquially referred to as the 'bokeh master'—will cost just $1,600 USD when it ships for Canon, Nikon, and Sigma mounts in 'late June.' So, I found myself no longer quite sure what to do with a true telephoto lens such as the Sigma 105mm at first, even though I desperately wanted to incorporate it. Being a mirrorless shooter, I have become accustomed to a smaller load, and even attaching a 70-200mm feels clunky at this point. The Sigma 135mm comes in at 1121 + 64g. That’s why the Zeiss 135mm was never even an option. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. The Sigma 105mm F1.4 DG HSM is the longest F1.4 lens in the Art series to date, comprising 17 elements in 12 groups. Sigma 105mm f/1.4 Art Review This is a guest review of the Sigma 105mm f/1.4 DG HSM Art by wedding photographer Megan Allen. The one focal length that has been missing for me since my switch to Sony has always been that 105-135mm f/1.4-2.0 range… until now. You’ll carry it because of how beautifully everything turns out. Overall, the image quality is beyond impressive, and I am falling in love with the 105 length all over again. 10 out of … Along the left hand side of the lens you’ll find an AF/MF focus switch that’s easily accessible but built well enough to not accidentally move. Instead, everything was tack sharp on my Sony, even wide open – just like it was on Canon! When I received my box from B&H with this beauty inside, I was instantly greeted with a surprising amount of heft. It’s around 1500 EUR. Same with the Nikon. It’s smaller and lighter than the Sigma and uses 77mm filters. It does not offer image stabilization of its own (like any of the other lenses mentioned) but you have the advantage of the stabilization that the Sony bodies offer. When I used the Sigma ART series on Canon, the results were superb; tack sharp, gorgeously vibrant colors, fast focus. The announcement came on the same day with Sigma’s new restructuring of its lens lineup, with three new categories that would differentiate … Sigma 105mm F1.4 DG HSM is an Auto Focus (AF) Telephoto Prime lens with 35mm FF max sensor coverage and it is designed to be used with Sigma SA mount cameras. Sony A9 & Sigma 105mm f/1.4 Art | 1/125 sec f/2.2 ISO 50 | Edited with DVLOP Presets. The lens focuses quite fast in around 0.6 sec from infinity to a magnification of 1:10 without hunting which is faster than the Nikon 105mm f1.4E with 0.8 sec but a bit slower than the Sigma 135mm f1.8 Art at 0.5 sec. Sigma’s new macro lens is extremely sharp at any distance and free of color aberrations. The Sigma 105mm on a Sony A7RIII | Sony A9 & Sony FE 35mm f/1.4 ZA | 1/125 f/5 ISO 2000. Use 1/200 sec to be on the safe(r) side or use a tripod. The Nikon is 979g, the lens hood adds another 55g. Now, Sony is quickly developing their own arsenal of lenses, and Sigma is doing the same to ensure the ever-growing army of Sony shooters have what they desire in the lens department. Manual-focus override is by simply turning the focus ring. So the new Sigma 105mm f1.4 is by far heavier and larger than the alternatives except for the Mitakon 135mm f1.4.  [-], Optics: 17 elements in 12 groups vs. 14 elements in 9 groups for the Nikon and 13 elements in 10 groups for the Sigma 135mm. For comparison I use the Nikon 105mm f1.4E (“Nikon” for short) and Sigma’s own 135mm f1.8 Art (“Sigma 135mm”). Same for the alternatives. I just don’t know if we need SO MUCH of said quality product. So, with the Sigma coming in well over a pound heavier, I have to wonder what they’re feeding this beast in the warehouse before shipping it out. 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